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Press

Rosey Media featured in magazine 'Videography' for work on Saturday Night Live.

John Rosenblatt with HPX-3000

Read the press release.

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Rosey Media shoots 'The Line' staring Bill Hader and Jason Sudeikis

Production Still - The Line

Read the press release and check out The Line on YouTube.

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Rosey Media Produces for Nickelodeon

Nickelodeon’s KOPO, The Action Dog

Read the press release and check out KOPO at YouTube.

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Rosey Media On Set - Behind The Scenes Of The Latest ‘SNL Digital Short’

Andy’s Dad Still

Read the press release and check out ‘Andy’s Dad’ and SNL: Behind the Scenes - Making the Digital Short.

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‘SNL Digital Short’ – “Dick in a Box” wins an Emmy!

Dick in a Box Emmy Still

Read press release and check out the video at YouTube.com.

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Rosey Media Shoots the ‘SNL Digital Short’ – “UnitedWay”

Read press release and full FOX article. Check out the video at youtube.com

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Dick in a Box Still

Rosey Media Shoots the ‘SNL Digital Short’ – “Dick in a Box”

Read press release and New York Times article. Check out the video at nbc.com

For Immediate Release

John Rosenblatt Shoots SNL Digital Shorts with Panasonic HPX3000

John Rosenblatt with HPX-3000

The following is a transcript of the feature on Rosey Media and SNL, as it appears in Videography:

Since the inception of Saturday Night Live's SNL Digital Shorts during the 2005-2006 season, John Rosenblatt of Rosey Media has served as the director of photography of the segments, which are consistent crowd-pleasers and some of the most "viral" video shared on the Internet. Since last February (the end of the writers' strike), Rosenblatt has been shooting the shorts with Panasonic's AJ- HPX3000 native 1080p one-piece P2 HD camcorders.

SNL Digital Shorts are produced by The Lonely Island, directed by Akiva Schaffer and written by Schaffer, Jorma Taccone and SNL cast member Andy Samberg. More than 30 SNL Digital Shorts have been produced for Saturday Night Live, and eight have been shot with the HPX3000 so far.

Rosenblatt, who previously shot the segments with Sony CineAlta cameras, chose the HPX3000 based on the camera's filmic image quality and solid-state workflow. "The HPX3000 is a great fit for the Digital Shorts," Rosenblatt says. "The P2 workflow works well with the Final Cut Pro-based system the show uses to post. We shoot the shorts in 1080/24p [the rest of the show is shot in 1080i], and we like the cine-like look and feel. Also, the camera's four-channel audio is crucial, as we isolate each audio track."

Rosenblatt rents HPX3000 camera packages from Liman Video Rental in New York. LVR sets the cameras up with Anton/Bauer Dionic 90 Batteries and P2 Stores or FireWire drives as needed. "I normally work with one or two cameras, depending on what we are shooting, how much time we have and the style the writers are looking for. We usually get involved after the writers' meeting ends, around 9 p.m. on the Wednesday evening before that week's show," Rosenblatt says. "We have only Thursday and Friday to coordinate and shoot, as the finished work needs to be edited, mixed and ready for air by the 8 o'clock dress rehearsal Saturday night. Rosenblatt is currently shooting using the DVCPRO HD format. (Apple Final Cut Pro now offers AVC-Intra compatibility, and SNL plans to transition to the AVC-Intra format for the fall season.)

"I normally use Fujinon glass [HAs18x7BRM18 HD lens] and always have a Fujinon 13x4.5BERM wide angle, with a matte box if needed," he says. "I use Panasonic's BT-LH900E LCD HD monitor, and a glass monitor if possible. Audio is hard-wired from the audio engineer to the camera unless it's in a Steadicam."

Rosenblatt shoots with 32GB P2 cards. "We usually change out cards when they are about 25 minutes full so they can be imported into Final Cut and placed in bins for quick editing. We use the five-card AJ-PCD20P P2 reader into a Mac-based Final Cut Pro. If I am on location, I will bring at least five 32GB cards, sometimes a P2 Store if needed."